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Pictures at an ExHERbition
“Dusty monuments, faded masterpieces, gentlemen geniuses…”
But where are the women?! Sally Whitwell’s song cycle Pictures at an exHERbition is a creative redress, a rebalancing of the history books. Starting its life as the composer’s lockdown project, Pictures at an exHERbition is a survey in ekphrastic song of the depth and breadth of work by Australian women artists, from Grace Cossington-Smith and Thea Proctor through to Katy B Plummer.
Presented in partnership with the National Gallery of Australia, this performance features the world premiere of several newly commissioned songs in the Pictures at an exHERbition cycle. Performed by Luminescence Chamber Singers and Luminescence Children’s Choir with the composer herself at the piano.”
Pictures at an exHERbition is presented in partnership with the National Gallery of Australia, and supported by the Capital Arts Patrons Organisation.
ARTISTS
Sally Whitwell, piano
Luminescence Children’s Choir
Luminescence Chamber Singers
AJ America, mezzo soprano
Veronica Milroy, soprano
Rachel Mink, soprano
Dan Walker, tenor
Alasdair Stretch, bass
Of the Body
From Andreas Vesalius’ groundbreaking De Fabrica Humani Corporis’ to the drawings of Da Vinci and Dürer, the 16th century heralded a new fascination with the human figure. Human dissection transformed our understanding of anatomy, and the body became the subject of scientific and artistic fixation.
Of The Body marries a major new song cycle by Dan Walker with some of the most rabelaisian examples of Renaissance repertoire. Drawing on Buxtehude’s masterpiece, ‘Membra Jesu Nostri’, Walker’s Of the Body comprises six movements, each devoted to an anatomical part: the eyes, the hands, the mouth, the feet, the blood, and finally, the heart. A musical dissection of sorts, Of the Body traverses sex, sensuality, the senses and more, exploring what it means to be embodied in a digital age, our relationship to our corporeal form; our flesh and blood.
Artists Luminescence Chamber Singers
AJ America, mezzo soprano
Dan Walker, tenor/composer
Veronica Milroy, soprano
Rachel Mink, soprano
Lucien Fischer, baritone
Alasdair Stretch, bass
Roland Peelman AM, conductor
Of the Body
From Andreas Vesalius’ groundbreaking De Fabrica Humani Corporis’ to the drawings of Da Vinci and Dürer, the 16th century heralded a new fascination with the human figure. Human dissection transformed our understanding of anatomy, and the body became the subject of scientific and artistic fixation.
Of The Body marries a major new song cycle by Dan Walker with some of the most rabelaisian examples of Renaissance repertoire. Drawing on Buxtehude’s masterpiece, ‘Membra Jesu Nostri’, Walker’s Of the Body comprises six movements, each devoted to an anatomical part: the eyes, the hands, the mouth, the feet, the blood, and finally, the heart. A musical dissection of sorts, Of the Body traverses sex, sensuality, the senses and more, exploring what it means to be embodied in a digital age, our relationship to our corporeal form; our flesh and blood.
Artists Luminescence Chamber Singers
AJ America, mezzo soprano
Dan Walker, tenor/composer
Veronica Milroy, soprano
Rachel Mink, soprano
Lucien Fischer, baritone
Alasdair Stretch, bass
Roland Peelman AM, conductor
Of the Body
From Andreas Vesalius’ groundbreaking De Fabrica Humani Corporis’ to the drawings of Da Vinci and Dürer, the 16th century heralded a new fascination with the human figure. Human dissection transformed our understanding of anatomy, and the body became the subject of scientific and artistic fixation.
Of The Body marries a major new song cycle by Dan Walker with some of the most rabelaisian examples of Renaissance repertoire. Drawing on Buxtehude’s masterpiece, ‘Membra Jesu Nostri’, Walker’s Of the Body comprises six movements, each devoted to an anatomical part: the eyes, the hands, the mouth, the feet, the blood, and finally, the heart. A musical dissection of sorts, Of the Body traverses sex, sensuality, the senses and more, exploring what it means to be embodied in a digital age, our relationship to our corporeal form; our flesh and blood.
ARTISTS Luminescence Chamber Singers
AJ America, mezzo soprano
Dan Walker, tenor/composer
Veronica Milroy, soprano
Rachel Mink, soprano
Lucien Fischer, baritone
Alasdair Stretch, bass
Roland Peelman AM, conductor
Of the Body
From Andreas Vesalius’ groundbreaking De Fabrica Humani Corporis’ to the drawings of Da Vinci and Dürer, the 16th century heralded a new fascination with the human figure. Human dissection transformed our understanding of anatomy, and the body became the subject of scientific and artistic fixation.
Of The Body marries a major new song cycle by Dan Walker with some of the most rabelaisian examples of Renaissance repertoire. Drawing on Buxtehude’s masterpiece, ‘Membra Jesu Nostri’, Walker’s Of the Body comprises six movements, each devoted to an anatomical part: the eyes, the hands, the mouth, the feet, the blood, and finally, the heart. A musical dissection of sorts, Of the Body traverses sex, sensuality, the senses and more, exploring what it means to be embodied in a digital age, our relationship to our corporeal form; our flesh and blood.
Artists Luminescence Chamber Singers
AJ America, mezzo soprano
Dan Walker, tenor/composer
Veronica Milroy, soprano
Rachel Mink, soprano
Alasdair Stretch, bass
Lucien Fischer, baritone
Roland Peelman AM, conductor